鈥�Serious writer鈥� and 鈥�One of our very best young writers鈥� are among the praises that flank the back sleeve of The Heaven of Animals: Stories, a collection of short stories by David James Poissant, or Jamie, an assistant professor of English at 麻豆原创.
Poissant鈥檚 first book, released in March, is a collection of tales about families and relationships published by Simon & Schuster.
This weekend, Poissant will join more than 30 authors from around the country at the 麻豆原创 Book Festival, which will be held Saturday from 9 a.m. to 3:30 p.m. at the CFE Arena. The festival is free and open to the public.
Read on for more about Poissant, a winner of the Playboy College Fiction Contest whose short stories have appeared in The Atlantic and in the New Stories from the South and Best New American Voices anthologies, among many other publications.
When did you first know you wanted to be a writer?
I didn鈥檛 figure out that I wanted to be a writer until after college. I was in my early 20s. I taught high school English and wrote during the summers. Once I figured out that the summers weren鈥檛 enough for me, I knew that I needed to make a major life change. I applied to MFA programs, got into the University of Arizona, and my wife and I traded Atlanta, Ga., for Tucson, Ariz. I鈥檝e been writing seriously ever since, about nine years now.
How did you end up teaching at 麻豆原创?
After Arizona, I went to the University of Cincinnati to earn my PhD. As I was finishing up at UC, I applied to creative-writing jobs around the country. I was very happy to accept the job at 麻豆原创, and I鈥檓 thrilled to be a part of the MFA faculty where I get to mentor and work with graduate students.
What鈥檚 your favorite part about being a professor?
The students! Their passion for reading and writing is contagious. And their exuberance helps me to stay motivated. It鈥檚 easy to forget when you鈥檙e lucky, and having students who are so excited about writing reminds me not to take what I have for granted.
Your most recent book, The Heaven of Animals: Stories, is a collection of stories centering on family and relationships. What inspired the subject?
I wanted to write a book about love, but I wanted it to be full of stories that most people would never call 鈥渓ove stories.鈥�
These are stories about guilt and atonement, about hurt and redemption. We love the people who make up our families, but we hurt those same people, too (sometimes on purpose, and sometimes without meaning to), and I wanted to explore both sides of that difficult equation.
Did you face any hurdles in writing the stories?
Every story presented a hurdle in one way or another. Some were easy to write but hard to publish. Others found homes in magazines, but only after I鈥檇 revised them many times over the course of four or five years.
For the 15 stories in the collection, another 20 published stories were left on the cutting-room floor, and who knows how many more remain unfinished or finished but requiring a few more revisions. I think that the trick was not to think too much about the end product of 鈥渁 book鈥� along the way, but to try to make each story as strong as it could be.
What do you like to read?
I love to read fiction, poetry and essays.
The last great book I read was a collection of essays by Ryan Van Meter called If You Knew Then What I Know Now. My favorite poets include Sherod Santos and Louise Gluck. My favorite short story writers include Brad Watson, ZZ Packer, Karen Russell, Chris Adrian, Bret Anthony Johnston, Raymond Carver, Amy Hempel, Christine Schutt, Rick Bass, Ethan Canin, Lorrie Moore, Denis Johnson, and Ron Carlson. My favorite novels include The Great Gatsby, Franny and Zooey, Marilynne Robinson鈥檚 Home, Frederick Barthelme鈥檚 Bob the Gambler, and Magnus Mills鈥� The Restraint of Beasts.
How do you like to unwind when you鈥檙e not teaching or writing?
When I鈥檓 not teaching or writing, I love to read, and I love movies. I also like to go on long walks by myself or with my wife and daughters.
What鈥檚 your top piece of advice for an aspiring writer?
Read! Sure, you鈥檙e going to have to write a lot in order to get good at writing, but I鈥檇 argue that you should be reading even more. Read everything. Read widely. Find an author you love, then read everything that he or she has written. Find an author you don鈥檛 love and try to figure out why. Sometimes the fault is with the writer. Sometimes the fault is your own.
Students sometimes worry that if they read too much, they鈥檒l start to sound like the writers they read. I鈥檝e found that the opposite is typically true. The more you read, the more likely you are to find that the multiplicity of voices will coalesce into something you鈥檒l one day call your own 鈥渧oice.鈥�
What鈥檚 next for you?
Currently, I鈥檓 at work on a novel under contract with Simon & Schuster. The novel borrows a couple of the characters from the collection and picks up 30 years after where their story leaves off.