Alex Burtzos鈥� music education started in high school, where he learned how to play the euphonium while also drumming for local rock-and-roll bands. When he got to college, he decided to pursue a career in music composition.
鈥淚 realized that music was the most effective way to channel my creativity,鈥� says Burtzos.
鈥淚 realized that music was the most effective way to channel my creativity.鈥�
After receiving his bachelor鈥檚, master鈥檚 and doctorate all in composition, he went on to perform in concerts across four continents. He collaborated with some of the world鈥檚 leading contemporary music ensembles; founded ICEBERG New Music, a New York-based composer鈥檚 collective; and became conductor of the hip-hop/classical music orchestra ShoutHouse.
Hip-hop/classical music? Yes, you read that right. In his new endowed position at 麻豆原创, Burtzos will teach students how to push the limits of composition like he has.
鈥淥ur long-range goal is to make Central Florida a nationally-recognized center for music composition,鈥� says Steve Goldman, executive director of the National Young Composers Challenge and endower of Burtzos鈥� position. 鈥淲e are excited that Alex will be joining the Central Florida composition community and believe that his contributions will be key to achieving our goal.鈥�
Learn more about Burtzos, his inspiration for blending popular music with classical styles and his advice for aspiring musicians.
Your music often combines multiple genres. What鈥檚 your favorite genre to work with?
It鈥檚 impossible to pick just one, but I love classical music, rock-and-roll and hip-hop. I especially have a soft spot for songs that aspire to be 鈥渢he perfect pop song鈥� 鈥� something that is so tight and integral that you couldn鈥檛 take anything away without lessening the song鈥檚 impact.
What inspired you to pursue these intersections of popular and classical styles?
I think that popular music offers an emotional immediacy that concert music will never be able to match, while concert music offers a depth of expression and a mechanism for creating large, narrative structures. By fusing these two styles, you get the best of both worlds.
You鈥檙e the conductor of a hip-hop/classical music orchestra. How did you discover this interesting combination of genres?
I don鈥檛 know if it鈥檚 something you find so much as it鈥檚 something you give yourself freedom to do. For centuries there鈥檚 been a prescribed way to compose and only one acceptable style of art music that everyone was taught to work inside. Now, in the age of Spotify, there鈥檚 been a great democratization of style, and music-makers are freer than ever before to go wherever they want. ShoutHouse isn鈥檛 the first orchestra to be influenced by lots of different genres, but we might be the first whose academic training has left us unconstrained enough to explore these genres fully.
Who鈥檚 your favorite hip-hop artist?
Right now, I don鈥檛 think anyone is quite on the level of Kendrick Lamar. He definitely deserved the Pulitzer Prize in Music that he won last year.
鈥淲hen the music becomes a public communication as opposed to a private endeavor, that鈥檚 the best moment of music-making for me.鈥�
Do you have a favorite moment of your music career?
Rather than a single favorite moment, I have a favorite moment within the process of composing: when you are able to start interacting with other people. So often the process starts with you alone in a room, staring at notes or waveforms for a long time. But at some point, the music will leave that room, and you鈥檙e either going to share it with other musicians or with an audience. When the music becomes a public communication as opposed to a private endeavor, that鈥檚 the best moment of music-making for me. And I get to experience it over and over again.
What are you most looking forward to in your new role at 麻豆原创?
I鈥檓 looking forward to working with young composers. I was very fortunate when I was a student to have generous and gifted teachers that helped me succeed, and I鈥檓 grateful to have the opportunity to fulfill that same role in my own students鈥� careers.
And I鈥檓 excited about the National Young Composers Challenge! It presents an amazing opportunity for composers who are not yet at the collegiate level. It鈥檚 very rare for pre-collegiate composers to hear their work performed by a full orchestra, so it gives these young composers a tremendous leg-up. I鈥檒l be taking an active role in the administration of the competition.
What advice can you offer aspiring musicians?
Whether you鈥檙e a performer or composer, learn everything you can about everything and be flexible! To carve out a career in music, you鈥檒l end up doing a lot of different things, so the more you鈥檙e capable of, the more success you鈥檒l have.
