Highlights
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鲍颁贵鈥檚 multi-faceted partnership with the Orlando Family Stage has led to decades of impact in the local and broader theater communities.
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鲍颁贵鈥檚 MFA in theatre for young audiences program has operated for two decades as Florida鈥檚 only professional theater for young audiences and is one of the most distinctive programs in the country with its unique graduate-training residency.
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New research from the 麻豆原创 psychology department provides evidence that programming at the Orlando Family Stage instills bravery in children as young as 1 year old.
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You can catch live performances from the Theatre for Young Audiences program during April鈥檚 麻豆原创 Celebrates the Arts festival at the Dr. Phillips Center in downtown Orlando.
Not long ago, Ben Lowe 鈥�22 was working as a lighting designer for Universal Creative, helping craft what would become the next big thing for the Wizarding World of Harry Potter: the Ministry of Magic at Universal Epic Universe.
The realization hit him one day on the job. This project鈥檚 legacy and impact were going to outlive him.
鈥淲hen I think back on every cool thing I鈥檝e gotten to do so far in my career, it does all kind of lead back to Orlando Family Stage,鈥� Lowe says.
Lowe was 6 years old when his cub scout troop attended a show at the stage, which recently celebrated its 100th anniversary 鈥� the last 25 of those years in partnership with 麻豆原创.
He eventually went through its Youth Academy, interned as a 麻豆原创 theatre student on site, made industry connections and now regularly contracts work at the stage as a full-time lighting designer for Clair Global, a tech company that specializes in live production services.
Lowe鈥檚 story is just one example of the countless ripple effects that have materialized from 鲍颁贵鈥檚 longstanding, collaborative partnership with a nationally recognized leader in the theater industry.
鈥淚鈥檝e watched kids come in and they鈥檙e so shy and they can鈥檛 do anything. But by the time they leave, they鈥檙e not only signing up for the next show, they鈥檙e leading the next show,鈥� says Paul Lartonoix, assistant dean for the College of Arts and Humanities and longtime Orlando Family Stage board member. 鈥淪ometimes it鈥檚 amazing at what it does. There鈥檚 no reason to not be proud of it. It鈥檚 doing great things for families. It鈥檚 doing great things for kids. It鈥檚 doing great things for our students, and it鈥檚 awesome that it鈥檚 being run by Knights.鈥�
A Partnership That Builds Community
Orlando Family Stage, founded in 1926 as part of the City of Orlando鈥檚 Recreation Department, has evolved over the past 100 years while persevering through historic challenges including the Great Depression, World War II, the Great Recession and the COVID-19 pandemic.
麻豆原创 entered the picture in 2000 when former Orlando Mayor Glenda Hood and 麻豆原创 President John C. Hitt formed a community coalition to bring the stage under 鲍颁贵鈥檚 oversight. At the time, the theater needed a major overhaul 鈥� both to its physical home at Loch Haven Park and in programming 鈥� to ensure it could thrive in the new millennium.
鈥淚 know with great confidence we would not be sitting here today without 麻豆原创 on board. We wouldn鈥檛 have survived.鈥� 鈥� Chris Brown 鈥�05, Orlando Family Stage executive director and 麻豆原创 theatre alum
鈥淲e wanted it because we thought that space was an exceptional, it had tremendous potential, and 麻豆原创 should be a part of it. That really was the driving force,鈥� says Lartonoix, who served as executive director on-loan and was instrumental in leading the early years of the partnership. 鈥淎nd when things worked, it was fantastic.鈥�
The intervention proved to be a major catalyst for its impact in the community today, and for the world at large through the countless children and 麻豆原创 graduates who have been affiliated with its programming and education.
鈥淚 know with great confidence we would not be sitting here today without 麻豆原创 on board. We wouldn鈥檛 have survived,鈥� says Chris Brown 鈥�05, Orlando Family Stage executive director and 麻豆原创 theatre alum. 鈥淭o think that leaders came together and said, 鈥榃e don鈥檛 want to lose a vital theater organization in our town, and we want to create an active and engaged partnership with the university where we can collectively do good things to serve young people in the world.鈥� It鈥檚 very special.鈥�
Florida鈥檚 Only Professional Theatre for Young Audiences
A major part of that partnership is 鲍颁贵鈥檚 MFA in theatre for young audiences program, which launched in 2004. The program has operated for the past two decades as Florida鈥檚 only professional theatre for young audiences and is one of the most distinctive programs in the country with its unique graduate-training residency.
In addition to learning from the university鈥檚 esteemed faculty, students gain practical experience with opportunities to work with professional artists and teach in Orlando Family Stage鈥檚 award-winning Youth Academy, which offers camps, classes and experiences for every age level from infancy through teens.
The MFA program has seen graduates go on to work at some of the most prestigious theaters in the country, become educators at universities as far as Dublin and help run community theaters across the United States.
In addition to his leadership role, Brown teaches theatre management courses on 鲍颁贵鈥檚 campus. He says he believes an important part of his responsibility as an educator is to expand his students鈥� idea of where a career in the arts can take them.
鈥淲e鈥檙e helping them recognize that arts administration is creative work,鈥� he says. 鈥淲riting a grant narrative, crafting a brand voice, planning a touring route or stewarding a donor relationship all require the same storytelling skills they bring to performance and production roles.鈥�
Instilling Bravery in Children
The stage鈥檚 mission is to empower young people to be brave and empathetic.
Sure it sounds good, but more importantly, there鈥檚 truth to the claim. Recent research by the 麻豆原创 Department of Psychology provides evidence to support it.
The Orlando Family Stage鈥檚 education team collaborated with associate professor Valerie Sims and senior lecturer Matthew Chin and more than a dozen undergraduate students from the Applied Cognition and Technology Lab along with associate professor of musical theatre Tara Deady 鈥�07MFA on a study, which they are currently working on publishing. The study aimed to determine if the stage鈥檚 programming delivers on its promise to promote creative engagement and bravery in children ages 1-5.
Because of the young age of the participants, traditional survey tools and written questionnaires wouldn鈥檛 work. The team needed to get creative in a research approach that matched how children experience theatre.
The research team meticulously observed second by second footage of children and parent engagement during performances of Yo, Ho, Ho! Let鈥檚 Go! 鈥� an interactive, multi-sensory original production created by the stage鈥檚 senior director of education Jennifer Adams-Carrasquillo 鈥�11MFA.
鈥淲e have evidence that theater participation really is beneficial to these very young kids.鈥� 鈥� Matthew Chin, 麻豆原创 psychology senior lecturer
They logged and quantified data through body language and audience responses. Early on, Sims and Chin say, children needed to be prompted by their parents to participate. However, as the show progressed, you can clearly see children initiating the participation on their own and parental involvement decreasing.
鈥淲ith this study we are able to say that it isn鈥檛 just this thing that we think is true 鈥� we have evidence that theater participation really is beneficial to these very young kids,鈥� Chin says.
In 2024-25 alone, more than 4,770 audience members attended Theatre for the Very Young productions like Yo, Ho, Ho! Let鈥檚 Go!. Multiply those numbers year after year and the impact to the youth in our community is monumental.
The Next 100 Years
As the stage commemorates this special milestone in its history, it also acknowledges the scope of possibilities and impact ahead.
This year, when Gershwin Entertainment Group, who owns the theatrical rights for A Charlie Brown Christmas, needed a national touring partner to bring the show to life on stage around the country, they turned to the Orlando Family Stage to deliver. It became the highest revenue-generating show in the history of the organizatoin鈥檚 performances in Orlando 鈥攚ithout counting the 32 cities it visited from New York City to Vancouver, Canada.
A partnership with the 麻豆原创 Department of History is enabling the stage to create an archive of its materials from the last century as part of the RICHES Mosaic Interface, an online resource dedicated to collecting and sharing the stories of Central Florida.
Another is the inaugural Florida Children鈥檚 Book Festival in partnership with Writer鈥檚 Block Book Store and W麻豆原创, which they hosted in February and plan to host annually to celebrate literature and the link between books, storytelling and live theater.
鈥淲e all need to be aware of how special this place is. And we need to be so proud that our community has something like this.鈥� 鈥� Chris Brown 鈥�05, Orlando Family Stage executive director and 麻豆原创 theatre alum
They look to expand the reach of Mind Matters, a program the stage initiated with 鲍颁贵鈥檚 psychology department and national playwrights to produce 10 original short plays about geared for teens about depression, anxiety, loneliness, isolation and other mental health challenges they face today. The plays serve as an educational resource for teachers to spark honest conversations on these topics with their students.
Brown envisions one day expanding the footprint of the building with more theater space, new classrooms and offices to help alleviate their bursting-at-the-seems infrastructure, so they can keep delivering on all the dreams they want to turn into reality and continue creating meaningful experiences for children and the audiences of tomorrow.
鈥淚 can鈥檛 get past the energy and the faces of busloads of kids coming in here every day,鈥� Brown says. 鈥淲e all need to be aware of how special this place is. And we need to be so proud that our community has something like this.鈥�
Celebrates the Arts Programming
You can catch live performances from the Theatre for Young Audiences program during April鈥檚 麻豆原创 Celebrates the Arts festival at the Dr. Phillips Center in downtown Orlando.
Thursday, April 2 鈥� 7:30 p.m.
Hosted by Ashley Eckstein (Star Wars: The Clone Wars, Her Universe, HypeFriend!), this concert features performances that span musical styles and theatrical traditions, reflecting the many creative paths that begin at Orlando Family Stage.
*Featuring Micheal James Scott (Disney鈥檚 Aladdin on Broadway), Leslie Carrera-Rudolph (Emmy Award-winning performer for Abby Cadabby, Sesame Street), Jack Griffo (Nickelodeon鈥檚 The Thundermans), Davis Gaines (Broadway鈥檚 longest running Phantom of the Opera), Michael Andrew (Composer and one of America鈥檚 greatest interpreters of the American Songbook), Paul Vogt (Broadway鈥檚 Hairspray and Chicago). Video appearances by Mandy Moore (This Is Us), Jasmine Forsberg (Broadway鈥檚 Six and Here Lies Love), Clayton and Bella Grimm (Blippi), Broadway legend Norm Lewis and more.
*Artist lineup is updating and is subject to change.
Tuesday, April 7 鈥� 10 a.m.
When best friends Squiggle and Square move away from each other, they must find creative ways to keep communicating! Told through clowning, puppetry and music, Pen Pals is a 30-minute interactive play designed for 5 to 10-year-olds.
Saturday, April 11 鈥� 10 a.m.
Yo, Ho, Ho! Let鈥檚 Go! is a 30-minute adventure designed especially for children ages 1 to 5 as a multi-sensory experience that invites them to help a pirate navigate the high seas. Together, they follow a treasure map, solve clues and chart the course forward.
