Last month, 麻豆原创 art grad Forrest Lawson 鈥18 bested more than 400 artists for top honors and a $50,000 award at a regional competition for his piece 6/12/2016, a sculpture he created to memorialize the Pulse tragedy, honor its victims and communicate the emotions and responses the shooting awakened across communities.

Born and raised in Punta Gorda, a small town on the west coast of Florida in between Naples and Sarasota, Lawson explored his creativity growing up, but hadn鈥檛 really thought of it as a future career path.

鈥淚 was always drawing very macabre things, because I was a gay teen in the closet,鈥 Lawson says. 鈥淏ut I never really explored it until I got to college because back then it was like I had to become a dentist or a doctor.鈥

Lawson, who met his now-husband during their sophomore year of high school, was bullied growing up for being gay long before he even came out. Because of this, he and his husband dated secretly for a few years until officially making their relationship public following graduation.

鈥淚t was more of a survival thing; I was just denying it because I didn鈥檛 want to have to confront other people or myself,鈥 Lawson says.

After high school graduation, Lawson attended Florida Gulf Coast University before transferring to Valencia College to major in architecture. But once he realized he was having more fun building actual models, he took advantage of the program and switched his major to art by the time he arrived at 麻豆原创 in 2014.

鈥淐oming to 麻豆原创 was a great experience for my work and growth,鈥 Lawson says. 鈥淚 just never really felt the sense of community that I feel in Orlando anywhere else. For me, 麻豆原创 was the right choice.鈥

The decision Lawson made to switch from architecture to art was in large part due to the joy he found in the creation of tangible objects.

鈥淚 think I have control issues, even still, because so much of my life and coming out felt out of control,鈥 Lawson says. 鈥淪o I think for me, having that control over tangible clay and making sculptures, it makes me feel a little more stable.鈥

During his years at 麻豆原创, Lawson was able to implement a community aspect to his work by doing more outreach-driven projects, taking his initial vision and allowing others to participate in its execution.

Shortly after the Pulse tragedy in Orlando on June 12, 2016, Lawson and several of his friends came across an article that said a long-standing FDA ban had been lifted. The ban in question specifies, “Men who have had sex with other men (MSM), at any time since 1977 (the beginning of the AIDS epidemic in the United States) are currently deferred as blood donors.” When Lawson showed up to donate, however, it became clear that the article was false 鈥 the ban was still very much in place.

鈥淲e wanted to help. We wanted to donate blood and help our brothers and sisters. But we couldn鈥檛,鈥 he says.

Most of is a response to his own anger. And being turned away from donating blood and doing all he could to help the victims of Pulse made him angry. So he got to work creating the sculpture Better Blood.

鈥淎rtists have a task in society to paint the revolution in a way that people can connect with.鈥 鈥 Forrest Lawson ’18

鈥淎rtists have a task in society to paint the revolution in a way that people can connect with,鈥 Lawson says. 鈥淚 want to use the platform that I have in whatever capacity that I have to communicate that ignorance and hatred are not acceptable.鈥

While creating Better Blood was a helpful experience for Lawson to express his frustration, he was still eager to create something that would memorialize the Pulse tragedy and honor the victims through his art.

This motivation would eventually become 6/12/2016, which involves 49 cubes with the names of the victims hand-stamped and their dates of birth. The cubes also contain the two commonalities between each of the 49 victims 鈥 their death date and the wristband they were wearing the night of the shooting. Lawson posted a nationwide call for people to submit their response to the tragedy and each of the narratives selected are juxtaposed to a name and wristband.

Glass rectangles stacked side by side
Forrest Lawson ’18 spent five months working on creating 6/12/2016, which honors the 49 victims of Pulse.

Putting together 6/12/2016 took Lawson about five months. He describes it as a long and emotionally exhausting process.

鈥淚t definitely made me confront a lot of feelings that I hadn鈥檛 yet,鈥 Lawson says. 鈥淚 had feelings of alienation and separation anxiety after the shooting. Pulse was actually the first club that I鈥檇 ever gone to. So it was strange, especially going there and seeing the pictures. I don鈥檛 think there鈥檚 ever going to be a time where I鈥檒l fully process it, but doing this at least did make me confront it.鈥

鈥淚 had feelings of alienation and separation anxiety after the shooting. …  I don鈥檛 think there鈥檚 ever going to be a time where I鈥檒l fully process it, but doing this [sculpture] at least did make me confront it.鈥 鈥 Forrest Lawson ’18

In May, Lawson headed to Lake City, South Carolina, with 6/12/2016 to compete in the , which honors artists of the southeast with a week鈥檚 worth of celebration and competition. This year鈥檚 event involved 400 artists showing pieces over the course of eight days, culminating in 12 awards presented.

Lawson recalls feeling relieved after the smaller-in-dollar-amount prizes had been awarded because he was nervous about having to get up onstage and give a speech. He hadn鈥檛 begun to fathom he鈥檇 be the recipient of the grand prize of $50,000.

鈥淚 whimpered and I cried in front of 400 people,鈥 Lawson says while describing the surreal moment of his win.

Lawson says he will use the winnings to help pay off student loans and his upcoming move to the University of Georgia where he鈥檒l soon be starting the MFA program.

Lawson knows that his success is due in large part to his willingness to push past doubters or those who may root against him by turning that negativity into something beautiful. His advice to up-and-coming artists is to do the same, even when that negativity may be on the inside.

鈥淩esearch, read a lot, learn about galleries you should be in touch with. And stick with it,鈥 he says. 鈥淚t鈥檚 so clich茅, but that doesn鈥檛 mean it isn鈥檛 real. Don鈥檛 let your inner saboteur talk you out of being creative if that鈥檚 what you鈥檙e meant for.鈥