What does a long-haired, self-described metalhead who plays in three rock bands have in common with a classically and jazz-trained guitarist with a Ph.D.?<\/p>\n
The music courses he will teach this fall at 麻豆原创.<\/p>\n
Professor Tommy Harrison \u2013 who started playing guitar in his early teens, wrote his doctoral thesis on Van Halen, and signed with Atlantic Records last year \u2013 hopes to teach his students \u201cto be champions of good music, not music that can simply make money.\u201d<\/p>\n
Harrison, 47, lived in Hawaii until after his first semester at the state university, but then moved to the mainland where he earned a bachelor\u2019s degree in music at the University of Denver, a teaching credential at California State University at Northridge, a master\u2019s degree with an emphasis in arranging and composition at California State University at Los Angeles, and eventually a Ph.D. in musicology at the University of Salford near Manchester, England.<\/p>\n
\u201cMy work on Van Halen focused on the group from 1978-1986, their stylistic development in songwriting approaches, and exploration of Edward Van Halen\u2019s impact on the guitar industry through performance techniques and equipment design,\u201d he said.<\/p>\n
Harrison was a visiting assistant professor at 麻豆原创 during the 2005-06 academic year teaching music technology before accepting an appointment at Jacksonville University, where he taught classes about the music business, arranging and technology until this past spring.\u00a0For three of those years, he was also the chair of their music department.<\/p>\n
He wanted to return to 麻豆原创 and the College of Arts & Humanities because it \u201cis a vibrant university with an upward trajectory towards exciting new concepts. I wanted to be a part of that atmosphere.\u00a0The student body and culture is energizing\u2026I longed to be part of a large learning environment again, with more, varied opportunities in collaboration.\u201d<\/p>\n
He\u2019s currently in three bands: Raven Cain, which he described as \u201cSouthern Rock in the sense that it has a good country influence married with a hard rock mentality\u201d; Glutton, a metal group in the vein of Black Sabbath (his favorite group); and the Tommy Harrison Group, instrumental hard rock with jazz, funk and blues influences. A lot of his time the past several years, he said, also has been focused on his recording career.<\/p>\n
\u201cI grew up on 80s hard rock and metal.\u00a0I love things from that era that range from Slayer to Skid Row. My main research interest is American hard rock of the 1980s,\u201d he said. \u201cI am trained on classical and jazz guitar, and I have some country experience, enough to somewhat fake it. I played Hawaiian slack key briefly in college and\u00a0I appreciate all types of rock and blues.\u00a0I am a fan of 20th century concert hall music and I compose for the concert hall as well\u2026I believe that musicians should have a good knowledge of varied styles of music.\u201d<\/p>\n
He refers to himself as a \u201cdaily\u201d metalhead, and listens to what he describes as classic metal by Black Sabbath, Iron Maiden and Judas Priest, the 90s metal ranging from Pantera to Korn, and lately the French group Gojira and the progressive metal of Protest the Hero.<\/p>\n
As part of 麻豆原创\u2019s new collaborative Entertainment Management degree program, Harrison will teach Introduction to Music Technology at the College of Arts & Humanities on the main campus and Music Business and Industry at the university\u2019s Rosen College of Hospitality Management. Courses will include subjects such as recording, promotions, concert and artist management, music publishing, music for film and television, and copyright.<\/p>\n
\u201cI want students to be leaders that can help get the music business right on track,\u201d he said. \u201cI want my music students to be able to create good music, and play music from beginning to end with passion. For music students who will eventually use music and recording technology to make recordings, I want their records to be sonically interesting that capture a magical performance, rather than a recording that has had all of the life edited out it.<\/p>\n
\u201cMy biggest gripe with a lot of music now \u2013 in most genres considered popular \u2013 is how the computer has been abused to edit out any type of passion.\u00a0Pop, country, rock, hip-hop, you name it, there are examples all across the board.\u201d<\/p>\n
Teaching music is about being able to model and demonstrate the knowledge an instructor has learned and gained through experience, he said. He also always tries to stay on top of new developments and explains to students how he sees the new music ideas in the context of the old.<\/p>\n
\u201cAll good musicians practice their instruments with such reverence that it is as essential as eating or sleeping,\u201d he said. \u201cMusic is not a casual practice for the professional.\u201d<\/p>\n
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